Rumination 12
Influence
I don’t talk enough about my influences, so I’m going to start at the top with the writer that changed my life.The Lathe of Heaven was pure raw science fiction that set my mind on fire. Every rereading of George Orr’s plight with his powerful dreams, the doctor who chose to right the world, and the power of our individuality; leaves me more enlightened than the last. It remains the one book I will consistently recommend.
The Left Hand of Darkness found its way into my hands when I was sixteen. In a suffocatingly narrow minded small town library. A story that defied gender and our obsession with it. Showed me a grand planet where we were the strangers. The human protagonist was the dark skinned stranger on a world where biological fathers could be biological mothers, and spent their days as an undefined third gender neither feminine nor male. The Lathe of Heaven is my favorite work, but The Left Hand of Darkness changed me. While I am happy to identify as female, it opened my eyes to people who didn’t conform to any of the roles cast upon them. It is fittingly upon every list that would have you read the great works of humanity.
The last four are from LeGuin’s Hainish Cycle, of which The Left Hand of Darkness is a part. Beginning with Rocannon’s World it paints the cosmos as humanity’s playground. Pure and simple science fiction written with an anthropologist’s eye; turning fictional futures into text book realities.
Rumination 11
One day you might find after you’ve learned as much as you think you can, that you don’t know anything at all. That the arguments are petty and small. That there is beauty in our insignificance. We tiny people, who may fade without a whisper, should spend the limited time we have learning and doing as much good in this world as we can. Because there will never be enough time.
Rumination 10
We Are
It seems as if we’ve only begun!
Sunrise was a moment ago;
Sunset seems a far ways to go.
We’ve ended the way we began!
In Darkness we were born,
Raised to live in the light,
Forevermore afraid of the night.
We came so far together,
But it’s almost midnight.
The Princess facade is fading;
It’s time to face my demons alone.
You were my Prince Charming,
I your Princess, darling.
At the stroke of midnight,
I fled into the darkest light.
We are the broken and the beaten,
We are the loathers and the lovers
We are the fallen and the forsaken
We are the warriors and the solders
We are the story tellers,
We are the we are the legend makers.
Doomed to wander forever,
Looking for the ones we remember.
We know more than we care
We dream more than we dare
We dance in a lament of fire,
Forever lost in the fight of desire.
Don’t
Don’t lean on me,
Cause I’ll leave you,
I’ll bind you into me!
With sorrow filled words,
With hollowed promises,
I will tear into you,
I will break your world!
So don’t trust in me,
Don’t rely on me,
Cause I’ll lie to you,
I’ll turn you against me.
Don’t fall into me,
Don’t lean on me,
Cause I’ll leave you,
I’ll bind you into me!
I’ll be kind,
So long as it suits me.
I’ll be there,
So long as I need to be!
Don’t believe in me,
Don’t have faith in me!
Cause I’ll disappoint you,
I’ll break your soul into mine!
So don’t fall into me,
Don’t lean on me
Cause I’ll leave you
I’ll bind you into me!
Don’t think twice,
Don’t look back,
Go forward and onward
Forward and onward!
Take yourself away!
From me!
Take yourself where
I can’t see!
Don’t fall into me,
Don’t lean on me
Cause I’ll leave you
I’ll bind you into me!
Don’t fall into me,
Don’t lean on me
Cause I’ll leave you
I’ll bind you into me!
Utopia
Star Trek Into Darkness is by all means a great film in a wonderfully vast and diverse universe marred by the outcry against the “Whitewashing,” of certain iconic characters (One iconic character).
Like many science fiction writers, Gene Roddenberry and his team created a character with all of the great advantages that evolution had to offer humans. The result was a man given the impressive sounding name of Khan Noonien Singh. And like a great many science fiction characters, the description fit a man of color. Ricardo Montalbán brought the character to life first in Space Seed and most popularly in The Wrath of Khan.
The casting of Benedict Cumberbatch into the fold of Khan isn’t an issue of the character’s ethnicity. Khan has no ethnicity. Nor is it an issue of his being classified as Sikh, thanks to his very telling last name.Sikhism is a religion in Northern India, practiced almost exclusively by the people in Punjab. I would know, I grew up in a Sikh family. Actively practiced the religion for many years. My grandfathers were both Singhs. Singh is a title given to you when you take vows to follow the faith. When you become a warrior for god. It preaches goodness and kindness, giving when you can, protecting those that need to be protected.
It is also one of the most inclusive religions. At least on paper. Anyone can become a Sikh, anyone can become a Singh. Or not. Sikhism is all about finding your way to the one true being. And because the aim is to return from where you came, it is held that all people have a different path. Be it Sikhism, Judaism, Christianity, Islam, ect. You make your own way to the same central place, with your own guide.So a man with Cumberbatch’s face can be called Khan Noonien Singh.
It is disappointing on a different grounds.
As a child, seeing a man of color on the screen with the name Khan Noonien Singh was a godsend. He was incredible, intelligent, different. In a time when everyone that looked like me played a bumbling terrorist, Khan was evil incarnate. And that was okay. Because he was a villain you identified with. He was(is) a badass. IN SPACE.
I’m not angry that the character is now portrayed by Cumberbatch. Hell, I’m even a member of the CumberCollective, he’s phenomenal. But he doesn’t look like me. I will root for the character, because I love villains (my heroes are just good villains), but I won’t want to be him. If I was a child watching this character, I wouldn’t be inspired. That is the issue.
So no, it isn’t wrong, but it’s disappointing and I will get over it.
This isn’t about ‘whitewashing.’ It is about how we present the world, how we see the future, and what we want to inspire in people.
Khan Noonien Singh influenced the type of person I am in some ways. Not quite so powerfully as Ursula LeGuin’s red skinned, Ged from EarthSea. He and characters like him, helped make me the type of writer I am. Not afraid to make a woman of color my main character.
Rumination 9
Young Adult or New Adult?
I don’t know? Maybe? What qualifies as Young Adult? What makes your character too old for it? And what is New Adult? How is it different from Young Adult, how is different from just regular Adult?
What is my book? All of the major characters are over 19. Does that disqualify it from Young Adult? But it’s not quite adult either. Though I might be going on stereotype there. Does the fact that it’s science fiction change anything?
See, I understand the concept of the query letter and I understand what I’m supposed to write in it, but I don’t know anything about the marketing or the audience. The audience is me, I think.
All I’ve ever been is a writer; it’s strange to think that isn’t enough. No one tells you how to be a writer. If a kid says they want to be a doctor, all of the adults they tell them everything that goes into being that. When a kid says they want to be an author, they get a “good luck.”
It’s something you can’t teach.
So why are so many of us consumed by it?
Rumination 8
I don’t know how other writers get ideas for their books/tv shows/movies/comics; I realized some time ago, that I don’t really care. Why? Because their methods are not mine, they only work for them.
No one can teach you how to write. Sure, you can learn the turns of phrase, proper syntax, those devices that made English boring. Devices many writers won’t admit that we weren’t aware we were using. A writer is separated by their ideas. Everything else becomes important after they get that idea.
My ideas come to me like aches. It tears through my psyche, leaving behind a ravaged mind that would give a great deal to live in that world. A world that hadn’t existed hours ago.
These ideas only come once or twice in a decade.
But the pain it brings is almost enough to sink me into a depression. Almost.
The fact that I can write all of it down saves me. If I couldn’t write, I don’t know how I would deal with the instant feeling of not belonging. Not belonging to the world, being in a nightmare: going to sleep and expecting to wake up in the world my mind invented.
But everyday I wake up in this place. Everyday in the same place.
When another writer can make me feel that way about their world, it only showcases their talent. And every time I read something by them, I go to sleep wanting to wake up in their imagined place. But I never do.
It’s why I write, to go to those worlds in the daylight.
